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With moves borrowed from African, Portuguese, modern, ballet and ballroom dance traditions and even martial arts, it’s no wonder the Seattle Times called Grupo Corpo “sensual, subversive, sunny, and surprising” the last time they stopped by the 91±¬ÁÏ.

A remarkable ensemble of musicians that pairs classic Afri-Dominican guitar traditions of son and bolero with the energy and vigor of contemporary bachata and merengue.