That’s the sort of historical oddity you’ll see if you follow the on social media, all chosen by Allee Monheim, 91±¬ÁÏ Libraries public service librarian, from the libraries’ vast archive of historical images and items.

And in the weird, amped-up online world, it can be refreshing to run across, for instance, the 91±¬ÁÏ’s 1960 mascot “.” Or an image of the first transcontinental train arriving in Seattle in 1895. Or Northwest band rocking out in 1978, or from a turn-of-the-last-century book for children.

91±¬ÁÏ Notebook caught up with Monheim for a quick visit about her distinctive social media work — and her new exhibit for 91±¬ÁÏ Libraries, “,” running through April 24 in the Special Collections area of Allen Library South Basement.

The 91±¬ÁÏ Libraries Special Collections social media accounts have such interesting content. How do you decide what to use? Are you free to choose anything from any collection?

Allee Monheim: It’s mostly a part of the division’s social media plan. I researched pretty heavily what other institutions were posting and used that to develop the plan.

I try to choose material that’s from all over our collecting areas so I can showcase the depth and breadth of our collections, and to make sure the content is different week to week so it doesn’t get repetitive. I also have a calendar that I populated with different holidays, historically significant dates, United Nations dates of remembrances and more so I can relate our collections and posts to what’s happening in the broader world. And then sometimes, I just find something really cool and snap a picture of it.

I would say I’m mostly free to choose anything from the collection. There are a few things I have to take into account before I photograph and post anything: Is an item in the condition to be photographed? Will posting it violate any copyright restrictions? Will posting it violate anyone’s privacy? Do I need to do additional research or add some language to make sure there’s proper cultural context, notes, or attribution? These are all issues that, as a librarian, I take very seriously.

Special Collections has a lot of images of old vaudeville performers and actors. How extensive is this part of the collection?Ìý

A.M.: Most of those come from the . J. Willis Sayre collected most of those photographs himself during his work as a drama critic, journalist and promoter. That collection is over 24,000 items and the entire collection is available online in our digital collection.

Can you tell a bit about the your “Low Brow / High Culture” exhibit, and what visitors will see?

A.M.: I’m really excited about this exhibit! I’ve had it rolling around in my head since I first started working here, and I have three really wonderful student curatorial assistants who have been working with me on it for the last few months.

The exhibit is about the influence of the movement on comics, zines, and other visual culture — particularly underground/counterculture visual culture. Lowbrow is a populist art movement with its cultural roots inÌýunderground “comix,”Ìýpunk music,Ìýgraffiti andÌýhot-rodÌýculture.

The exhibit talks a little bit about the origins of the lowbrow art (it started with hot rods!) but most of the material we’ve included is material in our collections that, knowingly or unknowingly, is visually influenced by the art movement. We’re also including some multimedia elements (the exhibit has its own playlist!). There will also be some zine-making workshops sponsored by the exhibit, and participants in the workshops will have the opportunity to have their zine(s) featured in the exhibit.

I really love doing exhibits because they give us an incredible chance to showcase the different types of material we have and how these materials relate to each other.

This one in particular has been a lot of fun because of all the elements that allow people to engage with the exhibit – you can come and look at all the cool things and you can be featured in the exhibit and you can access the playlist from home and keep listening to it.

Of all the items you’ve seen in Special Collections, what are your favorites — say, a collection you could visit again and again? Ìý

A.M.: That changes almost daily. Right now though, my answer is the . That collection has a lot of incredible protest materials — a lot of flyers, posters, and zines/pamphlets.

I think it provides an incredible amount of information about what people cared about and what they did about it — they made rallies or informational posters or educational zines/pamphlets. I also have a background in theater, so the J. Willis Sayre collection is a lot of fun for me!

For more information, contact Monheim at amonheim@uw.edu.

Campus Colleagues is an occasional series for the 91±¬ÁÏ Notebook — a section of the 91±¬ÁÏ News site dedicated to telling stories of the good work done by faculty and staff at the 91±¬ÁÏ. Read all posts here.